Three Ways to Think Deeply at Work

See on Scoop.itCreativity

Research into brain science can help us cut through the mind-clutter.

Christi Krug‘s insight:

Stepping away from an issue and engaging in a distraction does not mean you’re getting distracted. It means you are letting the unseen, creative processes do their work while you direct attention elsewhere. 

 

Spending a few minutes with a journal, sketchbook, favorite song, hobby, or going for a walk are great ways to engage the mind with a light, fun, task – this is outlined in Burn Wild: A Writer’s Guide to Creative Breakthrough.

 

Meanwhile, you are giving your creative mind the room it needs to breathe.

See on blogs.hbr.org

Overcoming Obstacles to Creativity

I had a wonderful conversation over the radio with Leigh Anne Kranz, host of the Bread and Roses show on KBOO. We talked about “what happens to us” after being so full of creative ideas as children, and suddenly becoming stodgy, blocked adults with no creative whims or activities. We also talked about the many challenges faced by women in particular when it comes to making time for writing, painting, or other creative outlets.

Oh, I could spend hours and weeks and months on this topic. I already did! The result is that book, of course.

Here’s the interview, which turned out to be fun and inspiring. (Note: First you’ll get a few seconds on politics and Iran as the first radio show finishes up.)

The Adverb Is Not Your Friend: Stephen King on Simplicity of Style

See on Scoop.itWriting

“I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.”

“Employ a simple and straightforward style,” M

Christi Krug‘s insight:

Very timely, as we just had this discussion in Wildfire II class last evening.

 

What was funny was how hesitant everyone became after I talked about the Adverb Problem. There were many muffled adverbs being skipped over in the reading aloud of work!

See on www.brainpickings.org

Gratitude in Motion

I reflect on all the beautiful smiles I’ve seen this year, all the stories that have engaged me, and all the writers and creators who have helped me to grow, whether students or teachers or friends. I feel weightless and free as a falling leaf.

Gratitude leads to expectation; I can barely contain it.

“Every empty space is filling, every fire kindled burning.”

Listening to Writing Students – Even Doodling Celebrates Their Talents

I can’t seem to stop taking notes when listening to my writing students. I doodle, too.

I worried for awhile that the doodling meant I was being inattentive, but at least one study has shown that doodlers retain what they hear better than non-doodlers.

I do remember these stories long after. Listening to writing students crystallizes the moment, turns it magic.

Courageously, a writer reads her work. She may be self-doubting, hesitant, or even terrified, but the beautiful words she has created deserve to be noticed, heard, and even illustrated.

My friend Holly, an art therapist, taught me the value of listening. You can read the story of how she got me started.

A page from my notebook . . . Listening-to-the-Writers (2)

The Perils of Plans: Why Creativity Requires Leaping into the Unknown

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“The job — as well as the plight, and the unexpected joy — of the artist is to embrace uncertainty, to be sharpened and honed by it.”

Christi Krug‘s insight:

Absolutely true. Was just discussing with someone yesterday. If you insist on a plan, fine, but know that you will be foiled many times.

 

"The writing life [and the creative life, too,]  isn’t just filled with predictable uncertainties but with the awareness that we are always starting over again."

See on www.brainpickings.org

A Message for Writers and Artists: Why Stopping Should Not Stop You

After three hours on a transcontinental flight, I stepped into the aisle.

It was awkward, and people were watching, but I really needed to stretch, so I went on boldly as I could, striking a falling star pose. A woman in the row behind me leaned across the seat like a neighbor chatting over a fence. “You have a practice, don’t you?”

“Well, yes—”

She sighed. “I used to practice yoga. I loved it. It felt so good! But I changed my work schedule.” She went on to tell me about her stressful job.

“Is there a different class that would fit your new schedule?” I asked.

“There are a ton of classes,” she said. “But I’ve stopped and can’t get started again.”

yoga

A few days earlier I had lunch with a woman who said, “I felt so much better when I was eating gluten-free.”

“Why did you stop?”

“I went to Italy,” she responded. “It was pretty much impossible to eat gluten-free in Italy.”

“So when did you go to Italy?

“Two years ago.”

italy-food

Today, I talked to a writer who explained he hadn’t written anything since the last time he attended my class, over a year and a half ago.

It happens to all of us: we get interrupted in our practice. The problem is, we mistake stopping for a permanent condition.

clock

Imagine this scene . . .

You’re tooling along a city street in your purple 1989 Volkswagen. You come to a stop sign. You stop, of course.

But then you stay stopped.

You sit there. Cars line up behind you and start honking. You shake your head and yell out your window, “Can’t you see I’m stopped?”

Sheesh, you think to yourself. I was going along just fine but that sign forced me to stop. You shake your head. I guess I’m not a real driver, or else I wouldn’t be stuck here.

IMG

Get this: stopping is not a permanent condition.  Just because you stop doesn’t mean you are no longer a writer, an artist, a creator. You can start again – anytime.

All summer, I had the best intentions to paint.

But, I had three grown-up kids home for several weeks. I had vacation plans, and an extensive copywriting project, and on top of it all, a mini midlife crisis, complete with built-in emotional roller coaster. (It slices! It dices!) Anyway, I stopped.

I’ve had many stopping points in creating, and I’ve learned not to freak out about them. They can happen for many reasons–a shifting schedule, a vacation, an illness, or a work situation.

When you know that stopping cannot stop you, you become invincible in your practice.

Sage Cohen, my friend, fellow writer, and co-panelist at Wordstock early this month, confessed to the audience, “I don’t write every day.” In many circles, to write less than every day is considered creative suicide.

She went on, “I know myself. I know I can’t not write.” Sage takes this even further when she explains on her blog that she gave up much of her writing life for over a year – a stretch that would convince many people they were permanently finished.  But because Sage had already developed a tried-in-the-fire practice over decades, she was not fazed by stopping.

Stopping is temporary.

Yet since I’m a beginner as a painter, I could easily get derailed. The newer you are to a practice, the easier it is to let stopping stop you.

But my other creative practice, writing, has taught me a few things. I have a restart button.

I signed up for an ongoing watercolor study class that I take from the fabulous Lee Baughman.

At the end of summer, as I inspected my gummy, dried out paint box, I knew my temporary stop was nothing to be upset about. I knew that when I walked into Lee’s classroom pulling my rolly cart behind me, he would welcome me with a big smile.

paint-box

And it was so.

The first class of fall, I overheard a couple of students confess to each other, “But I didn’t paint all summer!”

I didn’t say a word.

Because it didn’t matter.

All that matters is that I know stopping is not The End.

All that matters is that I’m here – and for pretty much anything worthwhile in life, it’s the same thing. Painting, like writing, like love, is what I do – in season and out, or with long summer breaks.

It’s my practice.

Roosevelt High students celebrate publication of school’s first book at Heathman Hotel

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Roosevelt High’s writing and publishing center published its first anthology, “Where the Roses Smell Best: A Literary Companion to Portland,” including pieces from students and prominent local writers, such as Oregon’s poet laureate Paulann Petersen.

Christi Krug‘s insight:

It is wonderful when a publication succeeds on so many levels. This book is all about making a difference for Portland’s youth at Roosevelt High School.

 

At the same time it features wonderful works by local writers such as Paulann Petersen and Kim Stafford and Jennifer Springsteen. (And I’m in it, too.)

See on www.oregonlive.com

10 Rules for Creative Projects from Iconic Painter Richard Diebenkorn

See on Scoop.itCreativity

“Do search. But in order to find other than what it searched for.”

On a recent visit to the Richard Diebenkorn: The Berkeley Years, 1953-

Christi Krug‘s insight:

The points I love here, I really love. Some of the rest don’t resonate with me today – and that’s perfectly wonderful, too.

 

I adore learning from the creative process of others.

See on www.brainpickings.org

Kierkegaard on Anxiety & Creativity

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“Because it is possible to create — creating one’s self, willing to be one’s self… — one has anxiety. One would have no anxiety if there

Christi Krug‘s insight:

This is reassuring and timely. As a creative person, I absolutely relate to the "dizzying effect" of all the choices available to me, not only as a writer but as a poet, artist, and coach.

 

I’m learning it is all right to experience and embrace the anxiety. I am learning how to live with it and acknowledge the strange partnership we share.

See on www.brainpickings.org

What Makes Me Mad: When Creatives Are Beaten Down

At Wordstock panel, 10/6/13

It makes me mad. In fact, it downright pisses me off.

When creative people are beaten down, bludgeoned, criticized. It is an ugly thing when beautiful geniuses are chastised for coloring outside the lines, for laughing too loud, for crying too much, for raising their voices in song or poetry.

And they listen to this criticism until they fall silent. And stop playing.

When the critical voice – I call him Dr. Codger – gets in your head, and tells you to shut up, or sit down, or put away your paintbrush, or promises you that you can’t, I want to wring his neck.

That’s what I find myself doing as a writing coach: throttling the tyrannical critic. Defying all those negative messages creative people have heard throughout their lives.

I listen to the creative person who says, “I used to write. I can’t anymore. I don’t know what happened. I just don’t think I’m any good now . . .”

And I pay attention to the artist who says, “I just can’t seem to make time for myself.”

And I draw out the entrepreneur who whispers, “I really want to write a book. But I never thought I had the talent.”

And together we get angry at the critic, at the lost chances, at the ruined happiness. And together we recover what is rightfully ours.

My next class starts October 26, a series of three Saturday morning workshops that will release your anger and passion along with your creativity. You will be able to obliterate these destructive messages and start creating again.

I would love to see you there, at Rouse Portland!  (Scroll to October 26 and click for details.)

Whatever is going on for you right now,  do this with me . . .

Get mad.

Next time you hear those messages, defy them. Get your fists up, get your art ready. Rise.

Do your creative thing anyway.

Photo by Chuck Pierson.

Sometimes you just have to leave a tiger behind : Path of Possibility

See on Scoop.itWriting

Christi Krug‘s insight:

This reflection on choices and priorities is hugely meaningful to me today.

 

I find I can’t do everything I long to do – "This is what the courageous writing life demands of us. We will not get it all done. We will not end up the person or writer we thought we were becoming."

 

It is the dillemma of the creative person to face choices.

 

Sage Cohen’s words remind that it is all right to use different gifts and talents and go a different direction than I once expected.

 

Each time I choose a direction, I am releasing an earlier expectation – a wildcat, a dream.

 

Sage affirms that it is all right to let go of such expectations, to wink and nod at the tiger, even wistfully, and wave a gentle goodbye.

 

See on pathofpossibility.com

The Wordstock Red Chair 2013

me in red chair

Having so much fun at Wordstock 2013!  After loving the festival for many years, it’s an honor to be a Wordstock author and sit in the red chair. Also, I’m inspired by about a hundred different authors here, including Laura Stanfill and Sage Cohen, with whom I get to be on a panel today at 1 pm at the Oregon Convention Center. Find out what you need to know about Writing Guides – those within and without.

Contact Christi